Chicago International Film Festival 2025-A Useful Ghost


A Useful Ghost is one of the most well-written films in the Chicago International Film Festival. The film benefits fromcreative direction and a skillful use of personification in a story in which a widower is desperate for attention. Haunted vacuums are falling apart in this entertaining movie written and directed by Ratchapoom Boonbunchachoke, I found this film to have heart and an aftermath of dazzling karma. There is almost more disconnect than imaginable because A Useful Ghost has lots to “imagine.”

The film’s main character is March (Wisarut Himmarat), and his wife is Nat (Davika Hoorne). He sees her in his dreams a lot. She may be gone, but apparently, she comes to life as a vacuum. These vacuums stir up much mayhem in a factory which cause a whirlwind of problems among other individuals. The setting is Thailand, and there are many cultural moments in this film, including some that are challenging. The word “useful” in the title is meaningful because it indicates there may be help in circumstances where people are struggling.

The film may seem silly, but I appreciated its invigorating ability to bring lightness especially for the widower. It also brings out the light in others who face devastating moments. A Useful Ghost is one of the most audacious and promising films in the Chicago International Film Festival. It begins with a vacuum, and then many changes and events cause things to spiral out of control. The film’s writing evokes empathy for the characters struggling in the story. The cinematic creativity is a force of nature. Four out of four stars for A Useful Ghost.

Chicago International Film Festival 2025-It was Just an Accident


A daring political thriller that does all it can to fly below the radar. From director Jafar Panahi, It Was Just an Accident has intriguing components involving Middle East politics. This film contains family dynamics which makes its audience wonder about the consequences moving forward. The storyline pushes the envelope but also places family values up front.

In this film, a man named Vahid (Vahid Mobasseri) seeks revenge on a man named Eghbal (Ebrahim Azizi) because he believes Eghbal tormented him in prison ages ago. During his time as a prisoner, Vahid was always blindfolded, but he claims he can tell by the voice and the noises made by Eghbal’s artificial leg. Therefore, Vahid kidnaps Eghbal. However, Vahid’s family doubts his morals considering the political war and many accusations that could be either true or false.

I found this feature set in Iran to be one of the most realistic films in the Chicago International Film Festival. Given Panahi’s skillful approach to creating complicated moral dynamics, he lays a foundation for an effective political and ethical cinematic experience.  Three out of four stars for It Was Just an Accident.

 

Chicago International Film Festival 2025-If I Had Legs, I’d Kick You


This film is melancholy, filled with plenty of potions to amplify the sadness. Rose Byrne delivers a spellbinding performance in this anxiety-filled story. If I Had Legs, I’d Kick You is written and directed by Mary Bronstein who has an eye for creating tolerance in the face of a conflicting pattern. There are a bucket of problems only getting worse while an individual struggles to keep standing and thriving. The concept of resilience runs deepin If I Had Legs, I’d Kick You.

Rose Byrne plays Linda, a mother dealing with her daughters’severe illness. Her husband is not very present in her life, andher home has fallen apart. This puts her and her daughter in a situation where they must live in a motel. Linda finds herself trying to tango with all the moving roadblocks. This includes dealing with a relationship with her therapist, played by Conan O’Brien. Overall, her choices and decisions keep falling down a slippery slope resulting in negative impacts. Given all that is on her plate, her head is speeding with anxiety.

The whole film feels like a ride that just won’t stop. It is a lot to handle, especially in moments when Byrne’s character goes to the motel lobby to buy wine late at night. There are also scenes in which she argues with others, including staff at her daughter’s schools or at resource centers. What is unique in these situations is that they capture the daily human annoyances in life. Bronstein’s direction shows humans can only take so much when many different crises come rushing down like a waterfall.

The film is brilliant. While not Oscar-worthy, it is quiteexperimental. Byrne’s performance is audacious and fearless. I love how the title speaks to the anger in the film. If I Had Legs, I’d Kick You made me want to kick seats in the theatre around me. (Not literally of course!) The anxiety stuck with me throughout my screening during moments when the daughter is having issues and again during the therapist scenario. The director created a vivid portrait which piqued my curiosity. It made me wonder, “When does life give us a break?” If I Had Legs, I’d Kick You inspires viewers to have a stronger mindset…even in times when it seems there are too many mental challenges to face.

There is a point in the film in which questionable choices occur, and Linda thinks about doing drugs to cope with her anxiety. However, that also has consequences. The main conflict in this matter is who will be impacted by this behavior. Clearly, it won’t just impact Linda, but also her daughter’s illness and safety. Despite the troubling aspects explored in If I Had Legs, I’d Kick You, the story makes viewers think and leaves them with an important message. Specifically, if you’re going through hell,you’ve got to just keep going. Three-and-a-half out of four stars for If I Had Legs, I’d Kick You.

 

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