With quite a bit of buzz from the Cannes Film Festival and the BFI London Film Festival, Pillion is a film where love and connection are hidden, but it also contains a deeper meaning below the surface. I was visiting London, United Kingdom in late December of 2025. I knew of the title Pillion and knew that it has a release date to be wide in February of 2026. However, after my many adventures on the tube trains, and seeing the ads all over the tunnels, I had the opportunity to see this during my travels. The term “pillion” refers to the passenger sitting behind a motorcyclist. Harry Melling is “the passenger” and Alexander Skarsgard is “the motorcyclist.” Pillion is a journey of two men trying to find what their hearts wants, but their expectations are the complete opposite—a power of love narrative combating to find what love truly is.

The film takes place in Bromley and other regions around London and the United Kingdom. Harry Melling plays Colin—he is introverted, shy, good-hearted, and hopes to meet someone that gives him the loving attention he longs for. His parents are very supporting of his sexuality. They are Peggy (Lesley Sharp) and Pete (Douglas Hodge). Peggy has some health issues, and she prays that her Colin finds a man that fulfills his happiness. That may come along for Colin, as one night he meets a man in a bar who rides a motorcycle. Alexander Skarsgard plays Ray—he is high strung, mellow, and starts to bring Colin in his life. Once Colin and Ray begin to spend time together though, Ray begins to show different behaviors outside of what Colin expects.

The film is one that keeps its audiences thinking. Especially because of how it is focused on a relationship between two men. The fact that Colin wants to love someone and feels Ray might love him back creates a mixed message.  Ray has Colin pick up groceries for him, do chores for him, and makes him sleep in the opposite bed—Colin may just be Ray’s submissive. Is that what Colin wants? He is blinded by being with Ray making him feel that he has a community and a purpose. 

The LGBT side of Pillion creates a portrait of timing. There may be some good times for Colin and Ray, but is Colin truly happy with Ray? Does Ray have feelings for Colin? When Peggy begins to see her son is taken advantage of, she starts to question his happiness. Pillion is a film where love requires more than just loving someone for who they are, it also creates a claritythat sees that common ground is important as well. For Colin, the physical side of feeling warmth is seen as he is the passenger riding on Ray’s motorcycle. Beyond that, any form of connection is how Ray is feeling. There is no clear context to why Ray acts like this, but also at the same time, it does not mean he is a bad person. The display of his sense of shame or guilt is written in a context that creates melancholy that craves release.

The film is written as a dramedy where the chemistry is foundbetween the lines. Melling and Skarsgard are two forces that tango with surreal emotions. In a tale where romance of the same gender struggles to see eye-to-eye, the guide to life does not lie. Pillion brings fuel to the fire with the emotions of Colin as he continuously wishes that Ray would treat him differently. Ray can, but does he want to? The film continues to build a landscape of questions throughout this unique dynamic that it creates among these two men. Is it love or is it just a servant-type relationship? Overall, though the tension steams on and off the motorcycle. Three-and-a-half out of four stars for Pillion.