Tag Archives: Alexander Skarsgard

Wicker Review


This one is a full-on fairytale that is for adults only—a wicked journey of brilliance and comedy with layers of Shakespeare and small village moments. Wicker has earned a lot of buzz with its premiere at the Sundance Film Festival, The Zurich Film Festival, and the BFI London Film Festival. Directed by Alex Huston Fischer and Eleanor Wilson, these two bring us into a world where loneliness leads to imagination that rises in a mind-blowing direction. The period is whimsical and medieval. A time of villagers and class with basic duties in a fairytale land is where Wicker is all about.

 

The film has that centers on the notion of a woman’s unhappy life. She wants to feel fulfilled by love and not want to feel ostracized by her community. She wants to feel like someone is holding her. The woman with all those feelings is the Fisherwoman and she is played by Olivia Colman. She goes to the local basket weaver for a wish. The basket weaver is played by Peter Dinklage. She tells him, “I WANT YOU TO MAKE ME A HUSBAND!” and he makes her wish come true. A man build out of straw is the result, and they are united in marriage. His character’s name is Wicker Husband, and he is played by Alexander Skarsgard. His presence and love provides fulfillment for the Fisherwoman’s life, however, their village community questions his presence.

 

The brilliance is in how quickly tensions rise. The success that the Wicker Husband brings to the life of The Fisherwoman is astounding. He is an able handyman, and he also provides that comfort that makes her happy. Many villagers find the situation appalling. The tension is written with jealousy all over it. The Tailor’s Wife, played by Elizabeth Debicki, is deeply curious. Her husband, the Tailor, is played by Nabhaan Rizwan. The practice of a Tailor does not feel fulfilling for the Tailor’s Wife, especially with seeing all the profound happiness coming from The Wicker Husband toward the Fisherwoman. The dynamics of class is a combatative theme throughout the film, as more people around the village begin to question the existence of the Wicker Husband.

 

Skarsgard delivers a performance of a laid-back and wondrous creature. Colman delivers a performance where her happiness is fulfilled but she struggles to accept how others feel about her scenario. The concept of accepting what the heart wants comes around in a fictional and timeless setting in Wicker. The film is sometimes hard to explain and hard to understand in moments. Though there here is always that fight for happiness. It never stops.

 

The film also delivers a riveting direction in segments, as it is split up into acts. Audiences have an idea of when moments may be happy, dull, or in chaos. That is primarily because of how the acts are given titles. Audiences feel like they are watching a play where humans and creatures are struggling to find common ground. It is carried around with much weight yet continues to be inviting. Three-and-a-half out of four stars for Wicker.

Pillion Review


With quite a bit of buzz from the Cannes Film Festival and the BFI London Film Festival, Pillion is a film where love and connection are hidden, but it also contains a deeper meaning below the surface. I was visiting London, United Kingdom in late December of 2025. I knew of the title Pillion and knew that it has a release date to be wide in February of 2026. However, after my many adventures on the tube trains, and seeing the ads all over the tunnels, I had the opportunity to see this during my travels. The term “pillion” refers to the passenger sitting behind a motorcyclist. Harry Melling is “the passenger” and Alexander Skarsgard is “the motorcyclist.” Pillion is a journey of two men trying to find what their hearts wants, but their expectations are the complete opposite—a power of love narrative combating to find what love truly is.

The film takes place in Bromley and other regions around London and the United Kingdom. Harry Melling plays Colin—he is introverted, shy, good-hearted, and hopes to meet someone that gives him the loving attention he longs for. His parents are very supporting of his sexuality. They are Peggy (Lesley Sharp) and Pete (Douglas Hodge). Peggy has some health issues, and she prays that her Colin finds a man that fulfills his happiness. That may come along for Colin, as one night he meets a man in a bar who rides a motorcycle. Alexander Skarsgard plays Ray—he is high strung, mellow, and starts to bring Colin in his life. Once Colin and Ray begin to spend time together though, Ray begins to show different behaviors outside of what Colin expects.

The film is one that keeps its audiences thinking. Especially because of how it is focused on a relationship between two men. The fact that Colin wants to love someone and feels Ray might love him back creates a mixed message.  Ray has Colin pick up groceries for him, do chores for him, and makes him sleep in the opposite bed—Colin may just be Ray’s submissive. Is that what Colin wants? He is blinded by being with Ray making him feel that he has a community and a purpose. 

The LGBT side of Pillion creates a portrait of timing. There may be some good times for Colin and Ray, but is Colin truly happy with Ray? Does Ray have feelings for Colin? When Peggy begins to see her son is taken advantage of, she starts to question his happiness. Pillion is a film where love requires more than just loving someone for who they are, it also creates a claritythat sees that common ground is important as well. For Colin, the physical side of feeling warmth is seen as he is the passenger riding on Ray’s motorcycle. Beyond that, any form of connection is how Ray is feeling. There is no clear context to why Ray acts like this, but also at the same time, it does not mean he is a bad person. The display of his sense of shame or guilt is written in a context that creates melancholy that craves release.

The film is written as a dramedy where the chemistry is foundbetween the lines. Melling and Skarsgard are two forces that tango with surreal emotions. In a tale where romance of the same gender struggles to see eye-to-eye, the guide to life does not lie. Pillion brings fuel to the fire with the emotions of Colin as he continuously wishes that Ray would treat him differently. Ray can, but does he want to? The film continues to build a landscape of questions throughout this unique dynamic that it creates among these two men. Is it love or is it just a servant-type relationship? Overall, though the tension steams on and off the motorcycle. Three-and-a-half out of four stars for Pillion.