Tag Archives: Brendan Fraser

Pressure Review


There is a certain type of filmmaking that keeps one’s mind invigorated. The type that makes audiences curious about facts and choices as well prompts thinking about various questions asa movie progresses. Pressure is a film with a series of thought-provoking elements. Written and directed by Anthony Maras and co-written by David Haig, Pressure aims to cover the historical true story of D-Day. 

Brendan Fraser does an astonishing job playing Dwight ‘Ike’ Eisenhower. This role as a captain follows his impressivecinematic comebacks and monumental performances in The Whale and Rental Family. Andrew Scott plays James Stagg, the Lead Meteorologist. He also displays a compelling level of seriousness that will captivate audiences. Chris Messina plays Irving Krick, another meteorologist assistant. The plot of the film takes place just seventy-two hours until D-Day arrives.Eisenhower finds himself in a blur making choices based upon the weather and the coast. Because the critical choices all matter, Eisenhower displays a level of hierarchy that makes it appear that errors do not matter. Krick is in sync with this way of thinking and displays loyalty to Eisenhower. 

Stagg believes that identifying the correct facts and information must be taken seriously. However, he also believes that previewing the range of options before deciding is vital. Given that the complexities of politics and war abound, his choices are viewed differently. The tension as they consider the options under time pressure makes Pressure spellbinding. Audiences will wonder if is going to rain. Is weather going to have an impact? Who has the appropriate facts? The historic side of the film is painted vividly and portrays reality during this anxiety-filled time.

The dynamics involving Stagg provide this film with humanistic value. Kerry Condon, who plays lieutenant Kay Summersby enhances this value. She handles the moving parts for Eisenhower, and many of the clerical tasks. The frustrations around making D-Day decisions and navigating the associated politics consume much of her time. The stress of these matters also falls upon Stagg, and the seriousness of his position gives him doubts. Without Stagg, the historic value of the film would be severely diminished in Pressure.

The film feels like a free-for-all wrestling match.  Audiences know that the performance of Fraser is bound by authority. They also know that the performances of Scott, Messina, and Condon are about characters who are below him in hierarchy. When there are moments in which tough choices cannot be made, and science does not seem to speak, Pressure revisits the science by examining the sky and incoming currents. Much of the film reminded me of a meteorology class I once took, but the seriousness of Pressure may well make audiences stop and think that global warming should be taken seriously. This film about an actual event highlights the importance of accuracy when making difficult decisions. Pressure is spellbinding and one of the best films based on true events of 2026. It is an emotional ride where the facts being considered keep matters enthralling. Four out of four stars for Pressure.

Rental Family Review


From the mind of director Hikari comes a mesmerizing and diverse portrait where some unique connections are found in her latest film, Rental Family. The purpose here focuses on a character in a struggling career who decides to take a different path—one that requires having a heart. Brendan Fraser delivers one of the best performances of 2025, and ultimately one of the best of his career. Rental Family is a film that blends diversity and human connection to form parallel values of context that come out of hiding. 

Fraser plays Philip Vanderploeg, an actor for commercials, who finds himself not doing so great. His gigs are in Tokyo. His new opportunity is to take a job with an agency titled “rental family.” The purpose of it is to fill in roles for strangers. For example, if one is missing a father, one fulfills that role in the family. That is the role that Philip ends up filling. He does so for a young girl named Mia, played by Shannon Gorman. Moving forward, Philip tries to fill the father role, and as hard as it is, he finds himself in the stage of his life where the position becomes rewarding and meaningful in this role of a “stranger.”

Rental Family is mind-boggling in its ability to create curiosity for its audiences to wonder what it would be like to have someone stand in for a role in a family. It leads to many questions. What dynamics would it twist? What conversations would it confuse? How would the moving parts feel? A lot of those questions come and go in the film’s writing, but at the same time, empathy weaves throughout with a sense of style in Rental Family. The Tokyo setting brings in a lot of value and culture through the eyes of Philip and Mia amid the narrative.

A lot of thoughts revolving around the idea of a fake family come to mind when watching Rental Family. The subject of routine came around a lot for me, because the agency finds itself in hurdles with others outside of Philip’s life doing this process as well. It proves that not everyone has it right and that having a family that’s “rented” does not easily find common ground. It is, however, a door for connection and new beginnings to evolve.

There is the motion of a weaving narrative that is enchanting, while also questionable. However, Fraser is the savior of the film. He plays the one that works to have a heart, while also dealing with the realities of life in Tokyo. Being in a father role that he had not planned for is not easy, but his heart grows. The film will inspire, as Rental Family is unique, diverse, and brilliant. Also, it was quite amazing. I love how there is a side of being included while also trying to deal with a strange, newreality. Three-and-a-half out of four stars for Rental Family.