Tag Archives: Film reviews

Springsteen: Deliver Me from Nowhere Review


With an astonishing portrait with honesty written all over it, Springsteen: Deliver Me from Nowhere is by far one of the most breathtaking and surreal biopics I have seen in years. Jeremy Allen-White was born to play Bruce Springsteen. He delivers the personality, the emotional talent, and gifted tones of aching pains to play into his musical characterization. Directed by Scott Derrickson, Springsteen: Deliver Me from Nowhere is bound to be one of the most talked about films of 2025. It does not only have the many musical moments of achievement, but also brings a flood of emotions into the backstory of Springsteen himself.

The film focuses on the early days of Bruce–his childhood and dealing with his abusive father. He goes back in his mind a lot as he is on the road and becoming famous. Dealing with the past leads to some dark roads ahead of him. Even though he has fame on his side, it is not always making him mentally positive. The road to success is not an easy one, as Bruce works with his agent Jon Landau with a lot of potential opportunity in limbo in the music business. Jon is played by Jeremy Strong, and as he pushes harder for Bruce to thrive on his musical fame and keep writing songs that sell, the momentum for Bruce tends to decrease. This leads Springsteen to go the solo album route. 

The relationship aspects of the film come on strong in the screenplay. Much of it gears a generous amount toward Bruce’s relationship with his father Douglas Springsteen. Stephen Graham plays the role of Bruce’s father. The conflict between his younger days of his father’s abuse and his increasing fame and public adoration fill his mind. This is where the film finds the balance of emotional and surreal resemblance—there is art from despair in Springsteen: Deliver Me from Nowhere.

The film dives deep into Bruce’s psyche. The moments of how he captures the sadness in his song writing are conveyed through the talent of White. His performance shines with amazement as he delivers this role showing the resilience to still have a heart while also battling one’s own demons. It also dives into the commitment from Jon. Despite the frustrations Jon has with Bruce, he makes sure that things go according to plan. The dynamic duo of White and Strong creates a massive success in Springsteen: Deliver Me from Nowhere.

With all the musical elements, the disconnect, and achievements, the film weaves to create an understanding that fame and popularity do not guarantee happiness. The life of Bruce is one that is hard to dismiss. The words of his voice telling his story via singing and songwriting is where Springsteen: Deliver Me from Nowhere rises to inspire. Audiences will be inspired by this film. The early days of Springsteen show a world of sadness awaiting to become an artistic vision that will move many around the world. The film made me appreciate life. It also fascinated me with uncovering the amount of sacrifice that can go into one loving their craft so much. Four out of four stars for Springsteen: Deliver Me From Nowhere.

 

 

Chicago International Film Festival 2025-A Useful Ghost


A Useful Ghost is one of the most well-written films in the Chicago International Film Festival. The film benefits fromcreative direction and a skillful use of personification in a story in which a widower is desperate for attention. Haunted vacuums are falling apart in this entertaining movie written and directed by Ratchapoom Boonbunchachoke, I found this film to have heart and an aftermath of dazzling karma. There is almost more disconnect than imaginable because A Useful Ghost has lots to “imagine.”

The film’s main character is March (Wisarut Himmarat), and his wife is Nat (Davika Hoorne). He sees her in his dreams a lot. She may be gone, but apparently, she comes to life as a vacuum. These vacuums stir up much mayhem in a factory which cause a whirlwind of problems among other individuals. The setting is Thailand, and there are many cultural moments in this film, including some that are challenging. The word “useful” in the title is meaningful because it indicates there may be help in circumstances where people are struggling.

The film may seem silly, but I appreciated its invigorating ability to bring lightness especially for the widower. It also brings out the light in others who face devastating moments. A Useful Ghost is one of the most audacious and promising films in the Chicago International Film Festival. It begins with a vacuum, and then many changes and events cause things to spiral out of control. The film’s writing evokes empathy for the characters struggling in the story. The cinematic creativity is a force of nature. Four out of four stars for A Useful Ghost.

Chicago International Film Festival 2025-It was Just an Accident


A daring political thriller that does all it can to fly below the radar. From director Jafar Panahi, It Was Just an Accident has intriguing components involving Middle East politics. This film contains family dynamics which makes its audience wonder about the consequences moving forward. The storyline pushes the envelope but also places family values up front.

In this film, a man named Vahid (Vahid Mobasseri) seeks revenge on a man named Eghbal (Ebrahim Azizi) because he believes Eghbal tormented him in prison ages ago. During his time as a prisoner, Vahid was always blindfolded, but he claims he can tell by the voice and the noises made by Eghbal’s artificial leg. Therefore, Vahid kidnaps Eghbal. However, Vahid’s family doubts his morals considering the political war and many accusations that could be either true or false.

I found this feature set in Iran to be one of the most realistic films in the Chicago International Film Festival. Given Panahi’s skillful approach to creating complicated moral dynamics, he lays a foundation for an effective political and ethical cinematic experience.  Three out of four stars for It Was Just an Accident.