Tag Archives: Film reviews

Anemone Review


Daniel Day-Lewis once said he was done with acting after Phantom Thread. That is not the case with Anemone where he is back as an actor on top of his craft portraying someone with vengeance. The story’s writing has a foundation based on solitude and layers of underlying conflicts that go way back. The director is Daniel’s son Ronan Day-Lewis. Daniel wrote the film with his son. Anemone is a film about resentment, challenges, and acceptance. In a cinematic sense, it explores the question of when enough is enough. That question expands for seemingly endless miles in Anemone, across the unique landscapes, waters, and shores of Northern England. The vast landscapes weave all kinds of feelings through a dark and rugged terrain of cinematic wonders.

Daniel Day-Lewis plays Ray and Sean Bean plays Jem. Theirs is a brotherhood filled with hatred over many years and a dynamic that is completely thunderous with conflict. Much of this stems from the performance of Day-Lewis which is often rapid and petrifying. He always has a way to give emotion to humanistic characteristics when weaving in his character’s anger. Jem decides to try to make peace with Ray because he had an affair with Ray’s wife. A confusing dynamic is then created for Ray’s son Brian (Samuel Bottomley). Ray’s former lover Nessa (Samantha Morton) is now with Jem. She has tried countless times to reconnect with Ray, due to her concerns about Brian. Throughout this film, a bad past will simply not let go.

One of the most daring and egotistical portrayals I have seen from the talented Daniel Day-Lewis. He plays the role of wanting his vengeance to linger so well. He has that mind-boggling voice and twisted sense of humor that is not one to contend with. Sean Bean’s character keeps trying to make peace while also holding his anger. However, at the same time, the brotherhood connection remains strong. Elements of hate linger in cinematic qualities that are just beautiful yet monstrous. Daniel’s son, Ronan, has an effective eye for capturing humanistic qualities which explode given the anger although there are times when alternative outlets might be much healthier. 

The film is thought-provoking as it goes into uncharted territory that can chill audiences’ guts to the bone. The hatred in the performance of Daniel Day-Lewis, and the frustration in the performance of Sean Bean are both so pure. It is a brotherhood filled with jealousy fueled by masculinity which causes the film to hit a cinematic reel of glory. The story hits it so hard becausethese actors’ efforts to burn up the screen succeed. Anemone may be one of the best films of 2025, and another resurrection of Daniel Day-Lewis. His life as an actor will always include spell-binding performances. He has a unique ability to bring back sides of his artistic repertoire with even more aggressive and thought-provoking performances. He always shines brightest in the British landscape where there is a setting of solitude. Three-and-a-half stars for Anemone.

 

The Lost Bus Review


Director Paul Greengrass is a filmmaker I greatly admire. He always creates films based on actual events that feel real and emotional. He also incorporates elements necessary to stay true to a film’s story, especially one in which there are a variety of moving parts. With films ranging from United 93 to Captain Philips, the theme of survival portrayed realistically is what he knows how to do. In The Lost Bus, he is successful again making a film that is spellbinding and surreal. It is based on the California wildfires of 2018.

It is an exhilarating ride that begins at the start of the film. Greengrass opens the film up with dry and vast cinematography. He creates the foundation with a landscape for his audience to brace themselves. The film’s main character is Kevin McKay (Matthew McConaughey), a dad dealing with his own problems at home. He works as a bus driver struggling to make ends meet. Things get a whole lot more complicated on his next shift because wildfires are scattered all over California. As he is navigating his workday, fires continue to spread and different disasters arise. Soon, Kevin finds himself needing to save twenty-two children on his bus. With the help of a schoolteacher named Mary Ludwig (America Ferrera) who is on the bus with him, they try to keep the children safe while finding the right path to safety.

Greengrass has a writing style that is critical and revolutionary. As the story of The Lost Bus progresses, additional dangers pop up which cause jumps in heart rates for the audience. The quest for survival is anxiety-provoking, but that is why the movie is amazing. Greengrass uses skillful writing and knowledge of the real-life situation to keep his audience curious about the scenario. Why are their limited resources? How are the fires getting so out of control? What choices should Kevin and Mary think about? What options are possible? The persistent question of safety keeps heads spinning while also keeping hope alive in The Lost Bus. This film is mammoth ride where audiences will want to put their helmets on and fasten their seatbelts.

McConaughey and Ferrera play an effective tag team. Greengrass places them in characterizations that they inhabit fully. He lays out the logistics of the conflict and creates a pattern. The film does find itself scattered in moments of rapid ashes, which may seem blurry at times. However, that is also a necessary part of delivering the vibe of a real natural disaster. The multitude of anxiety-producing events invigorate the mind with The Lost Bus.

Safety in scarce and there is no easy answer in sight for these two adults and twenty-two children. All everyone has is each other in The Lost Bus. I felt the magnitude of never giving up aching in my heart throughout The Lost Bus. This is a captivating story based on real events which feels like a gut-puncher but is worth watching. Three out of four stars for The Lost Bus.

Him Review


It is the start of the football season, and Justin Tipping (Kicks, Get Black Monday) decides to step-up his directing game with a sports thriller. Him is a  psychological thriller with a wild and crazy imagination. On one hand, the film is about  fame, and on  the other, survival. The two lines run parallel  in  Him. Being a pro football player is presented as a dream, and \ Tipping creates one’s dream to be an irreparable nightmare. The presentation continues to fall into a psychological  pattern. As egos topple over suspenseful situations  that become an athletic training film  like no other.

Him focuses on Cameron Cade and he is played by Tyriq Withers (Atlanta, Tell Me Lies). Cade, a rookie quarterback  is  given the opportunity to train with champion and veteran quarterback Isaiah White, played by  Marlon Wayans (On the Rocks, Air). With Cameron focused on becoming a  pro player, he feels this is his dream is close to coming true. However, once he steps foot into Isaiah’s home, there are haunting aspects that may be more disturbing than Cameron has anticipated. His head may be in the game to learn from his mentor, but he does not realize how dangerous the football camp is.

For Tipping, he oversteps the boundaries of sports and mayhem. It is exhilarating in some moments, but in others Him devolves into an  overwhelming slog of strobe-like effects. While I did expect technology of that nature in Him, its use prevents the film from ever feeling like anything more than mesmerizing.  Tipping provides the enemies a form of ambience of purpose. Competition with violence and desperation for success do not tango well with Him. It is presented in the setting of a cult that is disturbing. There are many trial and error moments, leaving Tipping’s film feeling like a blur. Him relies a lot more on star power than it does  suspense to engage its audiences. This is a thriller where there is more  enjoyment found in the  twisted fun of watching events unfold than in Him than any actual emotional responses like shock or mortification..

Him keeps up its craziness with football legend vibes going boldly. That is because the star powered dynamics are all around wild throughout the whole film. But the writing is a mess. The direction to become an all-star with life or death scenarios has a strange direction. Ultimately, so much of it relies on the presence of Marlon Wayans as the emperor, and Tyriq Withers as his apprentice. A duo that needs improvement in characterizations. Two out of four stars.