Tag Archives: Neon

Sentimental Value Review


This film is an achievement of humanistic approaches with an artistic natural vibe to the writing. Sentimental Value is a title that speaks for itself. Directed by Joachim Trier, he takes the life of a family and the arts to a new level where disconnect and reality present mental and emotional challenges. It is stunning, audacious, and breathtaking. So many human emotions are on full display and interesting layers of art are out of this world in Sentimental Value.

The life of directors has many ups and downs in this story about a family who is curious about finding out where the focus lies. The main characters are sisters, Nora Borg and Agnes Borg Pettersen (Renate Reinsve and Inga Ibsdotter Lilleas). Their father is Gustav Borg (Alexander Stellan Skarsgard), an accomplished director. All three of these individuals find themselves at the heart and mercy of disconnect as well as a tumultuous relationship caused by their success in the cinematic and theatrical world. There is so much pressure on the sisters from their father, Gustav. Nora finds herself encountering hurdles and struggling to adapt. Gustav comes around a lot more frequently in their lives. At the same time, however, Nora and Agnes work on achieving happiness while they share their lingering disconnect. In the meantime, their father is on the search to make art come to life in his new project.

The film goes from scenes showcasing success to theatre stages and the movies. Suffering from their past comes into play, and at the same time there is love that is present. The feelings stirred by the story can be hard to feel. Trier fuels emotional component hard in Sentimental Value. At times, it gets to the point of making audiences ponder why some people push themselves to the limit.

The new star that Gustav is working with is a young actress named Rachel Kemp (Elle Fanning). She is working on building a following. Gustav’s daughters find themselves a bit jealous of her and she ends up right in the middle of all the chaos and family drama. The complex elements of becoming successful are manipulated by the father. Sentimental Value portrays howfavoritism can have serious consequences. The film reveals some astonishing truths and is a unique arthouse film that I found worthy. Three-and-a-half out of four stars.

Chicago International Film Festival 2025-It was Just an Accident


A daring political thriller that does all it can to fly below the radar. From director Jafar Panahi, It Was Just an Accident has intriguing components involving Middle East politics. This film contains family dynamics which makes its audience wonder about the consequences moving forward. The storyline pushes the envelope but also places family values up front.

In this film, a man named Vahid (Vahid Mobasseri) seeks revenge on a man named Eghbal (Ebrahim Azizi) because he believes Eghbal tormented him in prison ages ago. During his time as a prisoner, Vahid was always blindfolded, but he claims he can tell by the voice and the noises made by Eghbal’s artificial leg. Therefore, Vahid kidnaps Eghbal. However, Vahid’s family doubts his morals considering the political war and many accusations that could be either true or false.

I found this feature set in Iran to be one of the most realistic films in the Chicago International Film Festival. Given Panahi’s skillful approach to creating complicated moral dynamics, he lays a foundation for an effective political and ethical cinematic experience.  Three out of four stars for It Was Just an Accident.

 

Splitsville Review


Monogamous and polyamorous relationships often spark conversations related to boundaries and other considerations. Watching the subject matter play out in a movie is a whole different experience. Splitsville is a comedy where love and arguments are intertwined in both fabulous and convoluted ways. The situations are fun yet sometimes repetitive, but no one wants to admit they are wrong.

There are intriguing dynamics with the different types of relationships explored in Splitsville. The film is written by and directed by Michael Angelo Covino. Kyle Marvin is a co-writer and is also one of the stars. Corvino plays Paul and Marvin plays Carey. The story begins with Carey and Ashley (played by Adria Arjona). Ashley wants a divorce from Carey. This promptsCarey to seek advice from Paul and Julie (played by Dakota Johnson). Once one relationship falls flat, many others begin to struggle as well. Issues related to love, sex, and commitments take their toll and result in a wild ride that is funny and clever. 

What I love about the setup and the direction of this film is the way the tone of the actors has them trying to remain cool and act normal. At the same time, however, anger and frustration is simmering. As the film lingers on, the dynamics and the affairs are not going as planned. New events occur. Scenarios involving characters sleeping with each other and making each other jealous add up to nothing pleasing anyone in Splitsville. It is a boiling pot of jealousy where openness is presented as fun at one point but then tolerance eventually is tested until it no longer exists. The writing in this experimental comedy has brilliance that I found intriguing and vivid.

Polyamorous and monogamous love may collapse in this film, but it is not a negative comedy. The story has a unique heartfelt side despite the multiple disasters. This is a gem of a film about friendships crossing boundaries but not wanting to step completely outside of them. The human elements of people being unwilling to change their morals, but experiencing the consequences are shown in a creative light in Splitsville. Three-and-a-half out of four stars.